Tuesday, November 29, 2016

Tips For Building A Bookplate Collection

I just  cold- called* a bookseller and explained my interest in bookplates

*Cold-Call
verb
  1. make an unsolicited call on (someone), by telephone or in person, in an attempt to sell goods or services.

  2. Then I followed up with this email.
Dear      ,
I am glad we had a chance to chat and I look forward to your response.
Bookplate collecting is my hobby and I am an active buyer.
It's hard to nail down what interests me but this may help.
In the best case scenario an accumulation of loose bookplates or bookplates on detached boards  are preferred.
For bookplates pasted in books here are some of my interests;
Any bookplates which you think are unique or attractive.

Leather bookplates
Angling bookplates
Bookplates used by notable people
Bookplates with Judaica themes

Finely engraved bookplates.
My preference is for books under $25.00 but for 18th century American bookplates  or bookplates used by famous people I am willing to pay
considerably more.
The ball is in your court..
Perhaps you can send scans or descriptions.

Cordially,

I'll keep you updated about the results but in general this approach is productive, sometimes years later.  As an afterthought , I will revise future emails to explain how to recognize universal bookplates and that they are of no interest to me.
Here is a bookplate I just purchased from a dealer who was contacted last week.

Thirty Five + Years of  Experience Condensed in One Article

For those of you who are new to bookplate collecting here is a link that
you will find helpful.
http://www.collectorsweekly.com/articles/guest-column-bookplate-collecting-basics/


Mystery Bookplate
Does Anyone out there recognize this bookplate ?
Bookplatemaven@hotmail.com
This is the first response received 
It was sent by Mike.
http://www.mikeslibrary.com/

Wonderfully odd mystery bookplate
This = This
Buch = Book (German)
Tillhor = Belongs (Swedish)
a' = To (French)
Gurgen ? = Cyrillic
Xrinrints ? = western Armenian

Nothing further I can figure out at this time.  Linguist? Magic?


Friday, November 18, 2016

Clara Tice and President Calvin Coolidge

Grolier Club Bookplates, Past And Present

A bookplate exhibit is now open at The Grolier Club located at
 47 E 60th St, New York, NY 10022
It is in the second floor gallery

GALLERY HOURS: The exhibition is open to the public, free of charge,
Monday-Saturday 10 am-5 pm through January 14, 2017. It will be closed
Thursday and Friday, November 24-25, for the Thanksgiving Holiday, and
December 24-31 for the Winter Holidays.

Update- Bookplates of Notable People For Possible Exchange
I have updated my exchange list.The bookplate of President Coolidge was just added .
http://bookplatejunkie.blogspot.com/2016/09/bookplates-of-notable-people-for.html


President Coolidge was very interested in angling and included some fishing gear near the base of the tree on his bookplate .
President Coolidge

Clara Tice



This Biography was copied directly from


Clara Tice (22 May 1888 – 2 February 1973) was an American avant-garde illustrator and artist, who spent most of her life in New York City, United States. Because of her provocative art and public appearances, she was seen as representative of bohemian Greenwich Village and thus known as "The Queen of Greenwich Village."

Early life

According to herself and the New York Times, in 1908 Tice was the first woman in Greenwich Village to bob her hair.Around the same time, Tice was able to study under the famous artist and teacher Robert Henri. In 1910, Henri and some of his artist friends, organized the first exhibition of Independent Artist. This art show, which was with its jury-free and no-awards concept quite a revolution at that time and thus received enormous attention, was financially backed by Tice and featured her works.

Immersion in the arts

A few years later, namely in 1915, Tice's fame skyrocketed when Anthony Comstock, main founder of the Society for the Suppression of Vice, tried to confiscate Tice's art at the well-known bohemian restaurant Polly's. Thereafter images of Tice's artworks and photos of the artist were featured in magazines such as Vanity Fair, Rogue, The Blind Man, and Cartoons magazine. During that time she had several one-person exhibitions and also worked on numerous other projects, for example, she created posters for bohemian costume balls and played herself in the 1922 version of the Greenwich Village Follies.
During those years, Tice not only played an important part in Greenwich Village's colorful art scene, but also joined the Arensberg Circle in their uptown location. It was probably Marcel Duchamp who introduced Tice to Walter and Louise Arensberg and their salon. There she met Henri-Pierre Roché, with whom she spent several evenings. Tice also participated in two projects by the Arensberg Circle: first, two of her works were shown in the first exhibition of the Society of Independent Artists and second, one of her works was featured in the The Blind Man.[
During the 1920s, she illustrated about a dozen books with her erotic images, these are nowadays expensive collector's items. In 1940, her own book called ABC Dogswas published. It is a children's book in which each letter of the alphabet is represented by a dog breed whose name starts with the same letter.[8] This publication sparked renewed interest in Tice and her art. She also worked on her memoirs, which she never completed

Clara Tice Bookplates and Ephemera
Shown below are Clara Tice items from my  collection and the Tom Boss collection.

If you have items not shown please send a scan and your items will be added to this posting.

Bookplatemaven@hotmail.com


11/19/2016  These two were submitted by Nina Allen
They were commissioned by Jack Howard Andrews, who was a dog breeder from Connecticut. The second scan is a Christmas card.












The Quill


The Quill was started by Arthur H.Moss, a vagabond publisher.


"Arthur Harold Moss  was an American expatriate poet, and magazine editor.
In 1917, he returned to Greenwich Village, founding The Quill with partner Harold Hersey and was managing editor and wrote articles. It included artists Clara TiceWood GaylorMark Toby and Alfred J Frueh .
He married Millia Davenport (1895–1992) and worked with her at The Quill. They co-authored, The Quill: For And By Greenwich Village, vol.4, no.8, 1919.
They separated shortly thereafter. She went on to design costumes.
In 1920, he hired his future wife Florence Gilliam to edit Quill

Here is a link to another website for further examples of art work by Clara Tice along with a bibliography.
www.claratice.com

Clara Tice, Nude Woman Feeding Horse, n.d.
Private Collection, Winthrop, Massachusetts.

Wednesday, November 09, 2016

Revisiting Old Friends-Part Two

Here are some more bookplates I unearthed while rearranging my collection in new albums.
The designs of these two plates appear to be by the same artist although one is signed by T.Craig and one is signed JDL. They were  mystery plates when I first wrote about them in 2011 and the mystery is still unsolved.

Bookplatemaven@hotmail.com

Note From Lew
While I think of it I am long overdue for my annual Ebay listing of 25 very special bookplates. Send me an email and I will notify you when my listings are up and running. If you are particularly interested in a certain artist or theme  advise me accordingly and I will try to include some items for you.

Was Arthur Frisbie an Egyptologist or a Dung Beetle enthusiast ?
The artist appears to be JFK or FJK. Your input would be appreciated.

At first glance you might wonder what's so special about this bookplate ?
It is the story behind private Trumbull that is of interest,  Here is some biographical information
about him from Time Magazine

So he was sentenced to 26 years of hard labor which was reduced to one year and later ran unsuccessfully for congress in 1940.
This sounds like  a John Grisham novel.

Here is one more mystery bookplate.



I'll see you again on Sunday by which time I may have recuperated from waking up in an alternative universe.

Tuesday, November 01, 2016

Revisiting Old Friends

I recently purchased five additional albums to make my bookplates more  easily accessible. In getting everything organized I discovered  bookplates I  had forgotten about and in some instances I didn't even know they were in my collection.
Here are some of the most interesting bookplates I found.
The bookplate for TNP was designed by L.S in 1913. The owner and the artist are unknown to me. Let's call this mystery plate #1.The brayer would indicate that the owner was involved in graphic arts. Does anyone out there recognize the plate ?
Bookplatemaven@hotmail.com

10/2/2016
Fellow Collector Richard Schimmelpfeng just srnt the following information:
 I found a reference in Gutenberg Museum Katalog, G41,749 for a monogram plate by Joakim Skovgaard (1856-1933), Denmark. for NPT 1913. Initials over a printer's ball, ie ink ball. Measures 58x50 mm. Found in either black and white, or colored.  Usually the monogram would have the main initial larger than others, so, I thnk this may match your plate, even though the LS doesn't. 

In three separate albums I found these bookplates by Francis Lee Jacques.
Here is some biographical information about the artist.

From Wikipedia, the free encyclopedia
"Francis Lee Jaques (1887-1969) was an American wildlife painter.
Francis Lee Jaques hunted and trapped with his father and connected with editors and writers from major hunting magazines. While still a teenager, Lee paid ten dollars to buy a taxidermy shop in Aitkin, Minnesota. He toughed out a few winters scarcely earning enough money to survive and bartering paintings to pay for services. He alternated railroad work in northern Minnesota and taxidermy in Aitkin to make ends meet.
In 1918 Jaques was drafted into the army. During his six-month stay in St. Emilione, France he recorded his surroundings in several small pencil drawings and watercolor paintings. He came home with a rank of Private First Class and returned to Duluth, Minnesota. There he met Clarence C. Rosenkranz, an artist of the impressionist style, who helped him mix color and express his feelings through art.
In 1924, Jaques sent some of his paintings to the American Museum of Natural Historyin New York City. His talent was recognized and he was invited to join the museum's team as a background painter. The team traveled around the world gathering exhibit specimens. Jaques recorded his experiences throughout.
Jaques was almost 40 years old when he met Florence Page, a friend of his landlord. She was a budding writer just out of a prestigious school in the East, but was originally from Decatur, Illinois. Jaques and Florence found common ground in nature and developed a friendship. They were married in 1927.
Francis and Florence Page Jaques spent time camping in the Boundary Waters Canoe Area of Minnesota. The time provided inspiration for their now-famous books, Snowshoe Country and Canoe Country. Sales from these two books helped fund the Jaques' involvement in the conservation project at Susie Island in Lake Superior. The conservation area was later named The Francis Lee Jaques Memorial Preserve in his honor.
The Jaques lived in New York City for over 25 years before returning to Minnesota to work at the James Ford Bell Museum of Natural History on the University of Minnesota campus. Jaques worked designing and painting diorama backgrounds until his retirement.
The Jaques' final years were spent living in North Oaks, a few miles north of Saint Paul, Minnesota. Jaques painted daily and created a mountainous body of work. Upon his death Florence completed and arranged for publication of his biography, Francis Lee Jaques: Artist of the Wilderness World. She donated his remaining art works to the James Ford Bell Museum of Natural History in Minneapolis and to the Saint Louis County Historical Society, Duluth MN.
Frances Lee Jaques died July 24, 1969 at the age of 81. His wife, Florence Page Jaques, died January 1, 1972 at 82 years of age."
Note from Lew- If you have any bookplates in your collection designed
by Francis Lee Jacques  please send me a scan and your images will be 
added to this posting.


Ropes End sounds like the title of a mystery novel. I'm guessing Mr .Richardson was a reporter or a mystery writer. I came up with this information while searching Google.
 "The Los Angeles Examiner paper was from 1903 to 1962 when it then became the Los Angeles Herald Examiner. In the 1940s city editor James H. Richardson encouraged and promoted his reporters to bring to light the scandals and crime in Hollywood."
Let's call this mystery bookplate #2 until I verify with certainty who the owner was.
You input would be appreciated.


 This charming bookplate was used in the 1920s or 30s. at P.S. 46 in the Bronx.
 The  school is still open so I wrote to the principal to see if they have any records indicating who the artist CAB was.

This is a home made  bookplate made by Bros(?). and is high on my list of favorites.

Here is another home made bookplate


I'll be posting more of the  bookplates I unearthed  later in the week.

Two Bookplate Exhibits

Major bookplate exhibits are infrequent . Two exhibits in one month are unprecedented The first exhibit is at the Rosenbach Library here in Philadelphia.

Bookplates and Book Collectors from 1480 to the Present

Wed, 09/21/2016 - Sun, 01/15/2017

Presenting beautiful and curious specimens from five centuries of book ownership, from a 15th-century coat of arms to engravings inspired by Romantic artists, The Art of Ownership delves into the stories of these bookplates.

https://www.rosenbach.org/learn/exhibitions


The second exhibit is in New York City at The Grolier Club


Thursday, November 17-Saturday, January 14 Second Floor Gallery Exhibition: "Grolier Club Bookplates Past & Present," curated by Mark Samuels Lasner and Alex Ames. 
http://www.grolierclub.org/Default.aspx?p=DynamicModule&pageid=268773&ssid=136866&vnf=1











Sunday, October 16, 2016

America in Mid- Life Crisis

My dad used to say there are three sides to every story, 
your side , my side and the right side.

I have no idea what actually occurred  during the incidents described below but it is certainly worth mentioning since as a nation we are going through some sort of mid-life crisis with two very flawed leaders and their groupies involved in a death struggle from  which  we are all at great risk.

Feel free to respond .

Bookplatemaven@hotmail.com






When Librarians Are Silenced- Copied from The New York Review of Books

Video footage showing Kansas City Public Library staff member Steve Woolfolk being arrested, May 9, 2016
www.pitch.com
Video footage showing Kansas City Public Library staff member Steve Woolfolk being arrested, May 9, 2016
Search the Internet for news stories about public libraries in America and chances are that, sooner or later, the phrase “on the front lines” will come up. The war that is being referred to, and that libraries have been quietly waging since the September 11 attacks, is in defense of free speech and privacy—two concepts so fundamental to our democracy, our society, and our Constitution that one can’t help noting how rarely their importance has been mentioned during the current election cycle. In fact quite the opposite has been true: Donald Trump has encouraged the muzzling of reporters and the suppression of political protest, while arguing that government agencies aren’t doing enough spying on private citizens, especially Muslims. Hillary Clinton has failed to be specific about what she would do to limit surveillance, while her running mate, Tim Kaine, has promised to expand “intelligence gathering.” Meanwhile, public libraries continue to be threatened by government surveillance—and even police interference.
In the most recent such incident, a librarian in Kansas City, Missouri was arrested simply for standing up for a library patron’s free speech rights at a public event featuring a former US diplomat. Both the librarian and the patron face criminal charges. The incident took place last May, but went largely unnoticed until several advocacy groups called attention to the situation at the end of September. In cooperation with the Truman Presidential Library and the Jewish Community Foundation of Greater Kansas City, the Kansas City Public Library had invited Dennis Ross—a former advisor on the Middle East to Presidents George H.W. Bush and Barack Obama, and to former Secretary of State Hillary Clinton, and currently a distinguished fellow at the Washington Institute for Near East Policy—to speak about Truman and Israel at its Plaza Branch. The library hosts between twelve and twenty speakers each month, and though some of the topics and speakers have been controversial, the events have always been peaceful.
As a matter of policy, the library declines to hire outside security guards. But because of a recent, traumatic event in Kansas City—in April 2014 a lone gunman attacked the Jewish Community Center and a Jewish retirement home, killing three people—the library administration agreed that three local off-duty policemen and Blair Hawkins, a former Seattle police officer now serving as Head of Security for the Jewish Community Foundation, could be present. According to the library, as part of the agreement nobody was to be prevented from asking a controversial question and the security team would consult with library officials before ejecting any nonviolent patrons. At the Dennis Ross event, audience members had their bags searched as they entered the library.
During the question-and-answer session after Ross’s address, a local writer and activist named Jeremy Rothe-Kushel asked about US support for what he called Israel’s “state-sponsored terrorism.” Ross answered, and when Rothe-Kushel followed up with a more aggressive question, Hawkins and one of the other guards approached him and immediately tried to eject him from the building—despite the fact that Rothe-Kushel posed no danger to the speaker or audience members. One of the guards, Brent Parsons, shouted—incorrectly—that Rothe-Kushel was at a private event. Later Parsons added, “This is private property.” It is revealing that a policeman should have imagined, even in a heated moment, that a public library was private property.
As the guards grabbed Rothe-Kushel, Steve Woolfolk, the library’s director of programming, who had been watching from off stage, interceded on Rothe-Kushel’s behalf and defended his right to remain in a public building and ask questions at a public forum; in a cell phone video, Rothe-Kushel can be heard saying, “Ask me to leave [and] I will leave.” The guards led Woolfolk and Rothe-Kushel through the green room toward the lobby. As Woolfolk rounded a pillar, several of the guards grabbed Woolfolk from behind. Woolfolk was kicked in the leg (resulting in a torn knee ligament), slammed against the pillar, and thrown into a chair. When he bounced out of the chair onto the floor, the guards forced him back into the chair, and handcuffed him. Both men were arrested by a uniformed police officer who had been summoned by Hawkins. Rothe-Kushel was charged with trespassing and resisting arrest, and Woolfolk with interfering with an arrest. Meanwhile, in the auditorium, the program continued; Ross answered a few more questions.
Since May, the cases against both men have been pending. Cellphone and security videos corroborate Rothe-Kushel’s and Woolfolk’s version of events. Whether or not one agrees with the implications of Rothe-Kushel’s question, he posed no physical threat to either Ross or the audience, and was simply trying to speak. Woolfolk remained reasonable and polite. The guards’ rapid recourse to shouting and to physical violence to detain Rothe-Kushel and Woolfolk did not seem to have a basis other than that the guards were nervous in the presence of a former top US official and that Rothe-Kushel was a local activist who was well-known for asking confrontational questions at public events. On entering the library, Rothe-Kushel had been identified by Hawkins and subjected to a more thorough search than had the other patrons. The off-duty police acting as guards seem to have been confused about the exact nature of their duties—and about where they were.
The arrests went unmentioned in the national press, in part because of the library officials’ hope that the incident—which Library Director Crosby Kemper III has described as an “overreaction”—would simply blow over and the charges against Woolfolk and Rothe-Kushel dropped. The case gained new attention, however, in late September, when the library drew support from the American Library Association and the Bill of Rights Defense Committee. (Over the years the American Library Association’s position has been that freedom of speech—and our right to information—is absolute and indivisible, regardless of the nature of that speech and the content of that information. In 2003, the ALA went to the Supreme Court in an unsuccessful attempt to reverse the Children’s Internet Protection Act, which requires that publically funded libraries install filters to screen out material that might be considered obscene or unsuitable for children.) On October 5, the Forward published an article criticizing the security guards’ behavior, and this week, a local newspaper, The Pitch, has raisedquestions about the off-duty police officers involved in the case.
For a while, library officials hoped that an accord might be reached between the library and the prosecutor’s office; if the defendants agree to refrain from filing a civil suit, the charges against them will most likely be dropped. But the prosecutor’s office has announced that it (in co-operation with Hawkins’s employer, the Jewish Community Foundation) will go forward with the cases against the both the librarian and the patron.
Kansas City Public Library, Kansas City, Missouri
Jonathan Moreau via Flickr
Kansas City Public Library, Kansas City, Missouri
Whatever the outcome, the case adds to a growing history of attacks on libraries—simply for upholding the bedrock values that have historically made them so important. Originally passed in 2001 and since reauthorized and amended, the USA PATRIOT Act—in particular its section 215—has given the FBI the power to request library borrowing records, patron lists, computer hard drives and Internet logs. In a speech in 2003, then Attorney General John Ashcroft claimed that the understandably concerned librarians were suffering from a “baseless hysteria,” repeating the word “hysteria” several times.
Two years later a group of Connecticut librarians (who came to be known as ”the Connecticut Four”) resisted a government request to turn over the names and online activity of everyone who had used a certain library computer; the librarians were served with a gag order forbidding them to discuss the case. After their situation attracted the attention of the ACLU, the gag order was rescinded by the FBI in 2006; the following year, the Connecticut Four received the Paul Howard Award for Courage.
In 2005, Joan Airoldi, a librarian in rural Washington State, received the PEN/Newman’s Own First Amendment Award for defying an FBI demand for a list of patrons who had borrowed a biography of Osama bin Laden. And just two weeks ago, four off-duty policeman from the Grandview Police Department (working part-time as security guards at another Kansas City library, the Mid-Continent Library) objected to that library’s decision to put up a display case entitled “Black Lives Matter— Books About African American Experiences” and featuring novels by Toni Morrison and others. Even after the library agreed to adjust the exhibit sign’s language to read “Books about Black Lives—The African American Experience,” two of the four officers resigned in protest.  
Part of what’s disturbing about both Kansas City incidents is the extent to which they illustrate the gap that has opened between police and the communities in which they work—a divide that, with horrifying regularity, produces far more disastrous and violent results in our inner cities. In fact, public libraries are among the very few remaining places where all Americans can meet to exchange ideas and listen to opposing viewpoints for free.
According to the Libraries for Real Life Project, an organization founded within Wisconsin’s South Central Library System, 68 percent of Americans have library cards. Americans borrow more than two billion items from libraries every year. Anyone can go to a public library (again, for free) to learn computer skills and apply for jobs. Immigrants can receive help in obtaining green cards and passing citizenship tests, and can learn and practice English. Senior citizens can find out how to take advantage of their social security benefits, and children can attend story hours and early-reading classes. And at least partly because of their own experience with government surveillance, libraries all over the country have begun to conduct workshops designed to teach patrons how to protect their privacy online.
I spent some of the happiest times of my childhood in Brooklyn’s Grand Army Plaza Library, which now, like many libraries, has expanded its services in response to the needs of the communities it serves. Along with eleven other Brooklyn libraries, it has created rooms in which the families of prisoners (especially those who cannot afford to visit their incarcerated relatives) can chat with them via video conferencing; in the same rooms with the monitors and cameras are children’s books, and during these “televisits,” prisoners are encouraged to read books with their kids. On October 29, again at the Grand Army Plaza library, a group of actors will perform a little known and especially violent Euripides play, The Madness of Hercules, and use it as the jumping-off point for a discussion of gun violence; the audience of several hundred will include local schoolchildren and members of the New York City police department.
The right to read, to think, to discuss and listen to ideas in a public forum is essential to an open society, as is our individual privacy. One hopes that the Kansas City case—only the most recent of many—will be resolved without further cost, trouble and damage, and that librarians there and everywhere will be able to do their jobs without taking on the added burden of battling for our freedom.
=========================================================
BACK TO BOOKPLATES
In my collection I have a number of record name labels produced by The Antioch bookplate Company. I knew very little about them and Rebecca Eschliman assisted me in my research..Her responses to my questions are noted with quotation marks.

"Record Name Plates were also known as Record Album Plates and Phonoplates and never really took off. They were introduced in the early 1940s and were no longer included in catalogs after about 1950."
 The Blum Kaufmann plate was not done by Antioch



Shown below is a page from an Antioch Bookplate Company catalog.
Rebecca Eschliman supplied the following information.

"Except for those by Jack Hubbard, the designs were provided by Antioch Bookplate's stable of freelancers.

F-11 and F-13 were drawn by Elmo Jurkat
F-12 was drawn by David Sarvis
F-14 was drawn by Virginia Phillips
F-17 and F-18 were drawn by Owen Wise
F-19, F-20 and F-21 were drawn by Jack Hubbard (staff artist)"

The Antioch Bookplate Company also marketed some special phonograph seals  .

=========================================================
Here are some circa 1973 name labels from Antioch



=========================================================
I have just added this bookplate to my list of duplicate bookplates of notable people for possible exchange.

http://bookplatejunkie.blogspot.com/2016/09/bookplates-of-notable-people-for.html


Wednesday, October 12, 2016

Bookplate Odds and Ends 10/12/2016

 Bob Peck collects bookplates relating to natural history and exploration

Here is what he wrote about his own bookplate.

Robert McCracken Peck's Bookplate by Richard E. Bishop



      When I was an undergraduate at college  I became very interested in bookplates and started a collection of those relating to my two great interests of natural history and exploration.  Since I did not have a bookplate of my own, I approached the well-known sportsman and waterfowl artist Richard E. Bishop (1887-1975), a longtime family friend, to ask if he would draw one for me. Although he was 85 at the time, and no longer making the etchings for which he is so well known, he sent me a pen and ink drawing for the plate.  It shows me with my arm holding a book dozing in an armchair in front of our summer fishing cabin’s fireplace with a small flock of Canada Geese emerging from the smoke as if in a dream. I still have the original drawing.  It measures 10 x 6.5 inches and is on a drawing board measuring roughly 12 x 10 inches. It is signed and dated 1972 in the lower right corner.

Bishop, who designed many bookplates while at the height of his career, was the artist-author of three books: Bishop’s Birds (1936), Bishop’s Wildfowl (1948), and Prairie Wings (1962).  He was also the artist for one of the very first U.S. Federal Duck Stamps, officially known as the Migratory Bird Hunting Stamps, (1936-37).

Note from Lew--Robert Peck, who is Senior Fellow at the Academy of Natural Sciences of Drexel University in Philadelphia, would be willing to exchange copies of his Bishop bookplate for others relating to natural history and exploration  Here is his contact information.

RMP89@Drexel.edu


Mystery Bookplate Elias Lieberman
There are several notable people named Elias Lieberman .I suspect this is the owner
of the bookplate I recently purchased.

"Elias Lieberman (1883–1969), American poet and educator, was a Russian Jew who emigrated to the United States with his family at the age of seven. After graduating from the City College of New York in 1903, he began working as an English teacher at a public school. Lieberman went on to earn his M.A. and Ph.D. from New York University, serving also as editor of Puck, The American Hebrew, and the Scholastic. He later worked for the New York Board of Education, as an associate superintendent of schools in charge of the junior high school division. His most famous poem, “I Am an America,” was published in 1916 by the popular periodical Everybody’s. The poem soon became a favorite, recited at graduation ceremonies and American Legion meetings"

The information shown above came from      http://www.whatsoproudlywehail.org/authors/elias-lieberman

The bookplate artist's initials appear to be  EB
Here is what I have done to solve the mystery. Some of the papers of Elias Lieberman are at Syracuse University.
The on line description includes the following information:

"The collection contains four series: Biographical material, Correspondence, Memorabilia, and Writings. The Correspondence is arranged chronologically, while the Memorabilia is arranged alphabetically by type (i.e. advertisements, bookplates, programs, tributes). Writings is divided into two subseries, Works by Lieberman and Works by others, within which materials are arranged alphabetically by title".

The university has been contacted  and  I am awaiting their response.

10/13/2016 
The folks Syracuse University responded quickly .

Dear Mr. Jaffe,

Your inquiry was forwarded to our attention at the Special Collections Research Center at Syracuse University Libraries. Thank you for your interest in our collections. We do have one of Elias Lieberman’s bookplates in Small Collections 7 and it is as you describe. Unfortunately there is no indication of the artist’s name accompanying the bookplate."


I have a duplicate of the Lieberman plate for possible exchange.
My last posting about exchanging  bookplates of notable people worked out very well for everyone who participated.
Two bookplates in particular were very welcome additions to my collection.

Ellis Parker Butler (December 5, 1869 – September 13, 1937) was an American author. He was the author of more than 30 books and more than 2,000 stories and essays and is most famous for his short story "Pigs Is Pigs", in which a bureaucratic stationmaster insists on levying the livestock rate for a shipment of two pet guinea pigs, which soon start proliferating exponentially. His most famous character was Philo Gubb.

The second trade was for a bookplate from the library of Colette. It has not arrived yet but here is some biographical information about her.

Colette (French: [kɔ.lɛt]Sidonie-Gabrielle Colette, 28 January 1873 – 3 August 1954) was a French novelist nominated for the Nobel Prize in Literature in 1948. Her best known work, the novella Gigi (1944), was the basis for the film and Lerner and Loewe stage production of the same name. She was also a mime, an actress and a journalist.

See you again on Sunday.-Lew