"Mr. Kauffmann started with The New Republic in 1958 and contributed
film criticism to that magazine for the next fifty-five years.
He had one brief break in his New Republic tenure, when he served as the film critic for
the New York Times for eight months in
1966.
He also worked as an acquisitions editor
at Ballantine
Books in 1953, where he acquired the novel Fahrenheit 451, by Ray Bradbury.
Several years later, while working as an
editor at Alfred A.
Knopf he discovered a manuscript by Walker
Percy, The Moviegoer
Following a year of rewrites and
revisions, the novel was published in 1961, and went on to win a National Book
Award in 1962."
His bookplate was designed by John Sasso in 1935.
Bookplatemaven@hotmail.com
5/16/2014
Responses to my question
Hello, Lew...I know I've seen the image on the far right...I believe it's
Edmund Kean (1787-1833) who was a powerful stage presence early in the 19th
Century. He grew up in the British theatre and was acclaimed as perhaps the
era's greatest Shakespearean actor. He was especially noted as a tragedian and,
indeed, his own life followed an ultimately tragic decline. He made at least two
trips to perform in The United States. Very interesting to read about him. I'm
still on the trail of the other two actors; I think I've seen the middle image
as well. Hope I find it.
Kate Klavan
Hey, love your newsletter. I suspect that drawings you
asked for ids on, are barrymores. Here is one link that might help--http://travsd.wordpress.com/2013/02/15/the-hall-of-hams-20-john-barrymore/.
I just did an image search for the name barrymore.
From fellow collector Michael Kunze
After seeing your Confessions of Thursday, May 15th, 2014.
I think I have seen the drawing at the left side some years ago.
I guess it shows David Garrick, British actor & author, 1717-1779
Marsha Brown
.From fellow collector Michael Kunze
After seeing your Confessions of Thursday, May 15th, 2014.
I think I have seen the drawing at the left side some years ago.
I guess it shows David Garrick, British actor & author, 1717-1779
From David W.Lowden
I would guess David Garrick, Edwin (brother of John Wilkes) Booth and John Barrymore. One for each of the centuries 18, 19 and 20
I would guess David Garrick, Edwin (brother of John Wilkes) Booth and John Barrymore. One for each of the centuries 18, 19 and 20
5/17/2014
Updates from Kate Klavin
It's a wrap
Look what I found…Kate
P.S. Of course, all the other contributions seem pretty likely as well…except maybe David Garrick who was more handsome than the image on the left…then again, Garrick, Barrymores and Booth are all good prospects! This is fun!
P.S. Of course, all the other contributions seem pretty likely as well…except maybe David Garrick who was more handsome than the image on the left…then again, Garrick, Barrymores and Booth are all good prospects! This is fun!
http://collections.vam.ac.uk/item/O84971/edmund-kean-as-sir-giles-painting-clint-george/
Guess this solves the question of Edwin Booth! Kate
http://diaryofaprivatelibrary.wordpress.com/
And finally…I bet it is David Garrick after all…Kate
http://commons.wikimedia.org/wiki/File:David_Garrick_as_Hamlet.jpg
Guess this solves the question of Edwin Booth! Kate
http://diaryofaprivatelibrary.wordpress.com/
And finally…I bet it is David Garrick after all…Kate
http://commons.wikimedia.org/wiki/File:David_Garrick_as_Hamlet.jpg
This one amused me
.By the way, the St. Louis Woman's Exchange began in 1883 and is still thriving in 2014
William Jordan Howard's bookplate was designed by Dard Hunter
Some Bookplates with Frank Papé illustrations- I 've never seen the Thomas Horan plate before. In searching for additional information about it I found this old Ebay listing from fellow collector Anthony Pincott.
.
""This ex-libris was profiled 25 years ago
in Bookplate
Journal, Vol.4, No.2 (1986) where W.E. Butler wrote about it as
follows:
It is by no means uncommon for bookplates
of great beauty or distinctiveness, nor even for bookplate designers, to elude
the notice of collectors until books containing the ex libris appear on the
antiquarian market. Such is the case with Dennis Yates Wheatley (1897-1977),
novelist and self-styled "inventor" (with J. G. Links) of Crime Dossier Murder
Fiction. A sizeable portion of Wheatley's personal library turned up on the
50p–£1 shelves at Blackwells in Oxford c. 1980, nearly all bearing his bookplate.
The existence of the plate was a revelation, both for its unusual subject-matter
and its designer: the illustrator F. C. Pape was now known to have designed
bookplates. Here was an exceptional case of the bookplate being worth more than
the book, and several copies of the Wheatley plate have found their way into
bookplate collections.
After a prosperous period as a wine
merchant in Mayfair, following military
service in the first World War, Wheatley sold out in 1931 and turned to writing
full-time. His historical adventures and detective novels enjoyed great
popularity, his characters Roger Brook and Gregory Sallust moving adroitly from
one volume to the next. While in the service during 1917, Wheatley met Gordon
Eric Gordon-Tombe, whose name appears at the bottom right corner of the
bookplate. In his manner of walking, cynical ruthlessness, sense of humour, and
love of the good life, Gordon Eric became the model for Wheatley's character
Gregory Sallust; it was owing to Gordon Eric that Wheatley broadened his mental
development and reading habits and eventually started book collecting in
earnest. His private library exceeded 4,000 volumes. A few years after the war
Gordon Eric was murdered, and Wheatley used his own library to create a memorial
by having the bookplate designed to depict the original version of the Garden of
Eden.
Following what Wheatley called the
"original Babylonian account," his bookplate depicts the Garden of Eden with
numerous trees, one of which is the Tree of Knowledge of Good and Evil bearing
an open book in the branches and another is the Tree of Life in the form of a
flowery crux-an-sata with a nude girl in an oval. In the
foreground seated on a tree stump appears a faun, beside him an iced bottle of
champagne and a saxophone. The faun has Gordon Eric's features taken from a
photograph, and from another is depicted Dennis Wheatley seated on the grass
listening to him. Beneath the picture is a cynically amusing remark that Gordon
Eric had made to Wheatley.'
Dennis Wheatley collected chiefly first
editions and the "greatest classics." The better items found their way into
booksellers' catalogues, where the bookplate was widely noted, though not
understood. One dealer commented: "From Dennis Wheatley's library, with his
large and rather disturbing bookplate on front pastedown." The Butler Collection
contains the fourth edition of W. Tooke, The Life of Catharine II, Empress of
Russia (1800), in three volumes, bearing the Wheatley bookplate (in vol. 1 only)
and the inscription in Wheatley's hand: "Used by me when writing my Roger Brook
story 'The Shadow of Tyburn Tree.' Extremely useful. Dennis Wheatley." The set
is full of underscorings and marginalia which show how extensively it served as
a major source for numerous events or passages in the novel (1948)
Frank Cheyne Pape (1878-1972) had
impressed Wheatley by his illustrations for the Bodley Head editions of
Anatole France and for one of Wheatley's favourite authors,
James Branch Cabell. The bookplate is dated 1928, and Pape was selected to
illustrate one of Wheatley's early books, "Old Rowley" A Private Life of
Charles!! (1933). Although Pape illustrated dozens of books between 1908-38, his
best works date from the 1920s and inspired something of a Pape cult. In
Wheatley's bookplate he perhaps exhibited more of the imaginative range and
personal viewpoint said to be lacking in some of his graphic work; most
assuredly he excelled in grotesque characterization with, here, an outrageous
sense of humour.
Since the discovery of the Wheatley bookplate, another design
by Pape, in 1931, for Thomas Horan has come to light. It depicts a faun playing
pipes with two tiny babies on the ground between his hooves and a maiden
listening to music at his side; in the forest background stands a unicorn. The
bookplate is a process reproduction of what seems to be a drawing.
Bookplates so often reflecting personal
interests and concerns, the Wheatley ex-libris is, as well as one of the most
unconventional English bookplates of the interwar era, an object lesson about
jumping to conclusions regarding the meaning of a design. Far from being
"disturbing," it was a warm tribute to the owner's friend and intellectual
stimulant."
Note From Lew- I suspect that Mr. Horan may have "borrowed" Frank Papé designs for his bookplates, The one I have is different from the one described above..
I recently discovered another bookplate with a Frank Papé design.
Louise Brooks(1906-1985) was a silent film star. The image on her bookplate appeared in The Works of Rabelais
published by Boni and Liveright (Volume 2 page 180)
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Three Interesting Links For Booklovers
Book sale season is heating up - just like the weather! On a drive to the dairy for a sundae? Why not pick up a book or 2 to read this weekend? Pull out the smart phone or tablet. No need for an app. Type m.booksalefinder.com and no matter where you are in the US or Canada, you'll know if there's a book sale or store within 100 miles. M.BookSaleFinder.com (don't forget the M!)
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Book sale season is heating up - just like the weather! On a drive to the dairy for a sundae? Why not pick up a book or 2 to read this weekend? Pull out the smart phone or tablet. No need for an app. Type m.booksalefinder.com and no matter where you are in the US or Canada, you'll know if there's a book sale or store within 100 miles. M.BookSaleFinder.com (don't forget the M!)
--------------------------------------------------------------------------------
New York Times Article about lost New York Bookstores
http://www.nytimes.com/2014/05/11/opinion/sunday/lost-booksellers-of-new-york.html?ref=opinion&_r=1
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Thousands of old library books bear fascinating traces of the past. Readers wrote in their books, and left notes, pictures, letters, flowers, locks of hair, and other things between their pages. We need your help identifying them because many are in danger of being discarded as libraries go digital. Books printed between 1820 and 1923 are at particular risk. Help us prove the value of maintaining rich print collections in our libraries.
Join the search! Go to your library, find marked books, take photos, & upload them here
CURRENTLY COLLECTING IMAGES and CITATIONS of MARKED COPIES OF LIBRARY BOOKS PUBLISHED BEFORE 1923. Each month we will add some specific authors to help focus your searches. We are focusing on CIRCULATING AND RESEARCH COLLECTIONS (not rare books or special collections).




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