Olive Percival, A Renaissance Woman
By David W. Lowden
Olive May Graves Percival (July 1, 1869 - February 18,
1945) was a multi-talented writer, photographer, gardener, artist, and
bibliophile in Los Angeles. Although she earned her living as an insurance
clerk, she wrote for a variety of magazines, authored several books, and was
sought after as a lecturer on gardens, New England antiques, Japanese ceramics,
and children’s books, among other subjects.Percival was born in a log cabin on
her family’s farm near Sheffield, Illinois. Her father died when she was ten. In
1887, she moved to Los Angeles with her mother and sister, lured by the climate
and the prospect of year-round gardening.
Percival began work as a saleswoman in the People’s
Store (later a branch of the May Company California) before joining the fire
agency firm of McLellan & Golsh. In 1895, she joined the Home Insurance
Company as a clerk and remained there for more than thirty years. Despite her
modest salary, which never exceeded $150 a month, she built a home called the
Down-hyl Claim in the Arroyo Seco (Los Angeles County), a scenic area northeast
of Los Angeles, often described as an artists’ colony. Oddly, when she built her
home, she did not have it wired for heat or electricity. Instead, it was lit
with oil lamps and candles and warmed by fires in the
fireplace.
Her
home was often the setting for garden teas, moon-viewing parties, and memorable
salons attended by local and visiting celebrity authors, artists, and book
lovers. Her diaries from 1889 to 1943 are peopled with artists, actors, writers,
society leaders, career women, and others active in the intellectual life of Los
Angeles during that time. One guest thought of the occasions as a mingling of
“the inconvenient and the cultivated
Percival began writing for publication in 1896 and sold
her first poem and first article just before her 28th birthday. Eventually, she
began to regularly contribute to the Los Angeles Times, writing articles on
subjects ranging from women’s suffrage to gardening. After the Los Angeles Times
bombing in 1910, she penned an article titled Would Woman's Vote Suppress
Anarchy, which appeared in the October 16, 1910 issue:
If
ever we needed the full representation of the whole people in government
affairs, that need is terribly emphasized by this distressing occurrence. As for
equal suffrage, I have never in my life heard one sane argument against it. I
think the only argument that men who are opposed to the measure have ever
advanced in justification of their unfair and un-American position, is that they
do not want women to lose their delicacy and charm by rough contact with matters
political. This is not 'sentiment' but sentimentality. . . . There is no sense
or intelligence about it. Women must live in the world as truly as men and in
many instances they are as well equipped for the actualities of life as men. . .
. If there is to be anything democratic or republican about the government of
America, that independence must be based upon the liberty of all of its
citizens. . . . When half of the people of any country are disenfranchised, that
country has no freedom. We pretend to be progressive and we boast our splendid
republicanism, but our republic is more despotic than any monarchy unless all
who are taxed have a voice in the control of public
affairs.
Her
books include Leaf-Shadows and Rose-Drift, Being Little Songs from a Los
Angeles Garden (1911) and Mexico City: An Idler’s Note-Book (1901)
which featured some of her own photographs and was reviewed favorably. In her
will, she arranged for the publication of two of her manuscripts, Our
Old-fashioned Flowers (Pasadena, CA 1947) and Yellowing Ivy (Los
Angeles, CA 1946). In 2005, the Huntington Library Press published excerpts from
her book-length manuscript Children’s Garden Book, as Olive Percival’s
Children’s Garden Book. The Huntington Library has seven hundred of her
photographs, many of which are a record of her garden. Others are of scenes in
Mexico, Los Angeles, San Pedro, and San Francisco. She often printed them
herself—purposely on blueprint paper—because the colors reminded her of Oriental
porcelain.
In
1949, Los Angeles nurseryman Paul Howard patented an Olive Percival Rose. It was
chosen to honor the teachers of America and planted at the White
House.
Although she achieved some success as a writer, she
often lamented to her diary the fact that she was not able to make a living as a
writer Percival accumulated notable book and art collections, many of which are
now in three Southern California libraries: Ella Strong Denison Library, The
Libraries of the Claremont Colleges, the Huntington Library, Art Collections,
and Botanical Gardens and the University Research Library at the University of
California, Los Angeles, CA.
In
"Different Images, Portraits of Remembered People," author Hildegarde Flanner
writes this of Percival:
"It
was in 1915 in Los Angeles that I first met Miss Olive Percival. More properly,
let me say, I had the honor to be presented. She was a prominent figure in
Southern California, a well-known hostess, a collector of books and art. She was
an authority on Oriental art and also early American antiques. She collected
both. She had a fine collection of textiles, bookplates, and exquisite paper
dolls. Her library of children's books was one of the best in America. She was a
direct descendant of Gov. William Tracy of Virginia. In the midst of her
scrupulously filed and arranged ten thousand good books she was a very important
person, intellectually and socially, at a time in the history of Los Angeles
when such possessions as hers represented conspicuous achievement and impeccable
position."
Percival also collected old hats while making new ones.
Her hat making extended to her dolls, for whom she made nearly two hundred
little hats. She also made paper dolls, inspired by a letter about antique paper
dolls from Wilbur Macey Stone, an authority on children’s literature and toys.
The Denison Library now houses over 300 of Percival’s dolls, clothes, and other
accessories
Percival was considered an authority on many aspects of
Chinese and Japanese art, lending pieces from her collections of prints,
porcelain, scroll paintings, lacquer, bronzes, sword guards, and stencils to
local art groups for special exhibitions. Her interest in the Japanese and their
culture lead her to protest anti-Japanese measures, such as the California Alien
Land Law of 1913 discriminating against the Japanese. During World War II, she
stored the belongings of her Japanese friends when they were sent to internment
camps. To counteract the charges of some friends who accused her of being
un-American, she joined the Daughters of the American Revolution, the American
Society of Colonial Families, and the Mayflower Society. This did not stop her
from also belonging to the Japan Society of the UK, the Japan Society (New
York), the local Japan-American Club, and the Japanese-American Woman's
Club.
For more information, see
https://archive.org/details/olivepercivallos00apos
Additional Resources
Olive Percival diaries, transcribed, Ella Strong Denison Library, Scripps College
Guide to the Olive Percival Collections (unpublished) in the Ella Strong Denison Library, Scripps College, processed by Ingrid Johnson
Apostol, Jane, Olive Percival: Los Angeles Author and Bibliophile (Dept of Special Collections, University Research Library, University of California, Los Angeles, 1992)
Flanner, Hildegarde, "My Late Miss Percival: A Different Image" in Different Images: Portraits of Remembered People (John Daniel, Publisher, Santa Barbara, 1987)
Percival, Olive, The Children's Garden Book: Instructions, Plans & Stories: A Voice from a Gentle Age, Huntington Library Press, San Marino, 2005
DiBiase, Linda Popp, "Forgotten Woman of the Arroyo," Southern California Quarterly, 66 (1984)
Johnson, Ingrid, "Book Collector Extraordinaire: The Life and Times of Olive Percival"
Johnson, Ingrid: Olive Percival - Scripps College podcast
Los Angeles Times, various articles and editorials, 1899-1985
Note from Lew Jaffe
The 1995 Yearbook of The American Society of Bookplate Collectors and Designers includes a well researched 38 page article about Olive Percival and other California bookplate artists.It was written by the late Audrey Arellanes. From that article and with the assistance of David Lowden I was able to begin the following checklist.
The Checklist is a work in progress.If you have bookplates designed by Olive Percival for which no image is shown please send a Jpeg scan to
Bookplatemaven@hotmail.com
The Bookplates Designed by Olive Percival
Adrian's Book
Seichi ( ?) Paul Akana's Book
Betty's Book
Chloe
Margaret Cohn's Book
Dorothy Wilson Corbin
MEC (Mary Eleanor Curran)
OD
Dick Desmond's Book
W.D. Jr's Book
Walter Desmond Jr
Dora's Book
Gerald's Book
SLK FMK/Home Port
G McC
HM
Dorothea Moore's Book
Grace Ormsby's Book
Helen Mason Percival's Book
Nova Pursell
Claire Ryan's Book
Lora Suydam
HW
HRW
OP (Bell Shaped Flower)
OP (Bonsai)
OP(Bunch of Flowers)
OP (Four Small Flowers)
OP (Peacock)
Olive Percival Her Book (House Viewed Behind Two Trees)
Olive Percival Her Book (Lamb)
Olive Percival The Gift of (A Circle of Flowers)
Olive Percival Textiles (Text Inside a Woman's Skirt-Two Sizes)
OP Textiles(Peacock)
Olive (Dragonfly)
Olive's
Percival (In Circle-Two Sizes)
