Showing posts with label Antioch Bookplate Company Artists. Show all posts
Showing posts with label Antioch Bookplate Company Artists. Show all posts

Saturday, August 14, 2010

Antioch Bookplates ,Part Three

* Bookplate given to me by my mom when I was a teenager.




A Brief History Of The Antioch Bookplate Company And Bookplate Ink

By Karen Gardner


My association with bookplates began in 1990 when I took a position with the small weekly newspaper in Yellow Springs, Ohio. Home to Antioch College, Yellow Springs was also the location of The Antioch Company, one of the largest producers of bookplates in the world.
The company formerly known as The Antioch Bookplate Company began as a resourceful response by two students working in the college print shop at Antioch College in Yellow Springs, Ohio. Ernest Morgan and Walter Kahoe noticed the barrels of paper scraps left behind in the printing process and wanted to find a use for the material. As part of Antioch College’s renowned work study program, they began printing decorative bookplates on the scrap paper after hours. With permission from the college, they named their venture the Antioch Bookplate Company and Morgan began hitchhiking around the country selling the bookplates. Kahoe later sold his interest in the business to Morgan for two hundred dollars, and Morgan went on to expand the business, while still attending college.
The Antioch Bookplate Company continued to grow in the next decades, with Ernest Morgan adding artwork from well-known artists such as Rockwell Kent, Daniel Burne Jones and the Dutch woodcut artist Thijs Mauve. Antioch also acquired other companies, such as The Etchcraft Company, along with their designs. Sales climbed as the Antioch Bookplate Company sold to more and more dealers around the world.
Since its early days, the Antioch Bookplate Company offered personalized bookplates to customers. The company would print the customer’s name on any of the designs in their catalog, or would print bookplates with custom artwork provided by the customer. Personalized designs were kept on file so that customers could reorder in later years. The company focused increasingly towards sales through dealers because individual small orders were not as profitable. Eventually The Antioch Company forged a business agreement with the local newspaper, the Yellow Springs News, The newspaper agreed to continue printing personalized bookplates, provided directly to individual customers, and acquired many Antioch designs.
When I came to the Yellow Springs News in 1990, my responsibilities included overseeing the bookplate printing business.
I was surprised and pleased to realize that one of the most popular designs was given to me by my mom as a teenager * .
At that time, most of the bookplate orders came in from retail catalogs or referrals by The Antioch Company. Fascinated with the bookplate designs, I continued expanding the business after becoming a co-owner of the newspaper in 1991. I separated from daily duties at the Yellow Springs News in 2004 and devoted myself to the bookplate business,which was renamed Bookplate ink

Sales at Bookplate Ink have increased with the popularity of Internet shopping. With overseas shipping and credit card processing, Bookplate Ink has customers though out the world. In 2008, the Antioch Company discontinued printing and selling bookplates. As many former customers are still devoted to the bookplate designs they have used in their books for years, Bookplate Ink has expanded its inventory to include many bookplates that had been out of print, such as the designs by Benton Ferguson , Robert Whitmore and Owen Wise.
Bookplate Ink also continues to print bookplates for customers who provide original custom artwork.

I have found the bookplate business to be a rewarding niche. Particularly gratifying are those occasions when a customer finds the same design that he or she had as a child .


Karen Gardner
Bookplate Ink
http://www.bookplateink.com/
kgardner@bookplateink.com
866-483-3830
P.O. Box 547577
Orlando, FL 32854

A Few Additional Comments By Lew Jaffe
First, I want to thank Karen for taking the time to write about her recollections of time spent at Antioch and to encourage all of you to visit her website .
Several weeks ago a collector wrote to inquire why I was devoting so much time and energy to a company whose designs were pedestrian. I took exception with his elitist point of view but really did not know how to respond. After reading Karen's article I realized why I am focusing on this Company.
My brother also has a bookplate given to him by our mother when he was a teenager .My wife has Antioch bookplates in dozens of her books.Many of us used their bookplates . They are a part of our cultural history which disappeared before we knew what happened. Even the close relatives of many of the Antioch artists who have died have very little information to offer. The history of those artists needs to be recorded and captured before it is completely forgotten. Next week I plan to write about Benton Ferguson , one of my favorite Antioch bookplate designers. See you then.











Sunday, August 01, 2010

Antioch Bookplate Co. Artists # 2

Representative samples of bookplates designed by Evelia Sowash. Unfortunately,the three peel and stick plates shown below did not scan well at all. That is because they are made with a black outline around gold foil .The scanner does not properly pick up the gold foil. It is a shame because these plates are quite striking.









Evelia Sowash was most helpful in providing scans and samples of the bookplates she designed while working for the Antioch Bookplate Company.





She currently has her own design studio and her website is http://www.eveliadesigns.com/


















The "Gryffindor is a bookmark and the other Harry Potter items are peel and stick bookplates.



























On June 20th I began this series about the artists who worked for The Antioch Bookplate Company. It is an ongoing project and I hope to hear from more of the Antioch artists and their relatives. Evelia Sowash worked for Antioch over a ten year period.
She was involved in the design and production of bookplates, bookmarks and journals . This is a small representative sample of some of her designs.
I also want to thank Karen Gardner of Bookplate Ink for her ongoing help in locating some of the Antioch artists and their relatives. Karen's website is also worth visiting. Here it is:

Sunday, June 20, 2010

Antioch Bookplate Company Artists

Antioch Style 7y53 Antioch Style7y51
Antioch Style7y52 Antioch Style7y54

Antioch Style7y55 Antioch Style 7656


Antioch Style7y58 Antioch Style 7y59

The six bookplates shown above were designed by Rockwell Kent and sold by the Antioch Bookplate Company.
Not that long ago you could walk into almost any bookshop and buy a boxed set of Antioch bookplates.They were tasteful and inexpensive. Over the years Antioch commissioned many artists including Rockwell Kent and Lynd Ward. Those bookplates are now part of our cultural history. There are many unrecognized forgotten artists who also contributed to Antioch's inventory and I hope to write about them them as they are unearthed. Let's start with Ilene Ledere .
She designed several Antioch bookplates in the 1970's . I wrote to her inquiring about them and her fee for bookplate design. Her replies are noted below.

"I managed to locate the old art for those bookplates which were done for Antioch Press in 1973.
I have since gone on to do illustration in many different venues from editorial to books and writing.
One file shows concepts submitted; the other shows the original art and printed bookplate for
the one design AP finally chose. There's not much to say except that it took quite some time for me to secure the commission, many portfolio exchanges and conversations.
It was a project I'd wanted to try my hand at and would love to do others if
the opportunity presents."


In response to my question about the cost of designing a bookplate the response was as follows:
"Thanks Lew.
Setting a price on a bookplate design of course depends on the variables involved. Will the design be rendered in full color, black+white? I must consider the level of detail being rendered and use of font; does the client wish to use an existing one or one that I would design to suit the illustration? An additional factor is size of the edition; would my design be required for a private or public library and would any reproduction rights beyond the bookplate itself be involved? There is also the issue of ownership of the design itself which may be negotiable and the turn-around time schedule for delivery of artwork.
My agents, Sally Heflin of Heflinreps in the US and Kit Killington of Killington Arts in the UK/Europe handle my assignments and these are questions they would likely wish answered before engaging my services. Their contact information are included in the links below that you may post at your blog:
************************
Ilene Winn-Lederer Illustration
Contact:
USA: Heflinreps: (201) 944.6058
UK: Killington Arts: (020) 8464 3695
Portfolios:
http://www.heflinreps.com
http://www.killingtonarts.com
http://www.winnlederer.com
Weblog: http://imaginarius13.wordpress.com/
New Books: http://www.pomegranate.com/a166.html
http://www.winnlederer.com/zoodiacbook/default.htm
Best.
Ilene "
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If you are a former Antioch bookplate artist or know of one please contact me.Thanks.
See you next Sunday